{"snapshotDate":"2026-10-20","releaseId":"465e0259274b1b15","data":{"id":"opennana-28220","sourceId":28220,"order":524,"titleZh":"社论风摄影与极简黑墨插画海报","titleOriginal":"社论风摄影与极简黑墨插画海报","category":"opennana","model":"Nano Banana 2","modelShort":"Nano Banana 2","modelGroup":"nano","prompt":"Using the uploaded reference image, create a single high-resolution vertical 2:3 editorial art poster.\n\nDivide the canvas into two perfectly equal horizontal sections, each occupying exactly 50% of the total height. Separate them with a clean, perfectly straight horizontal dividing line.\n\n1. TOP HALF — ORIGINAL REFERENCE PHOTOGRAPH\n\nUse the uploaded reference photograph directly in the upper 50% of the poster.\n\nPreserve its original photographic quality, sharpness, natural lighting, and color relationships.\n\nAllow only subtle, intelligent cropping around the outer edges when necessary, without compromising the main subject.\n\nIf required, naturally extend a small portion of the surrounding environment to fit the composition.\n\nDo not redraw, illustrate, stretch, blur, or modify the subject's appearance, structure, or spatial relationships.\n\nDo not introduce black borders, white margins, or empty edges.\n\n2. BOTTOM HALF — MINIMALIST EDITORIAL ILLUSTRATION\n\nUse a warm, near-white ivory paper background with an extremely subtle paper texture.\n\nAnalyze the main subject and visual story of the uploaded reference image.\n\nExtract only the primary subject, preserving one or two essential identifying elements.\n\nRemove or heavily simplify all secondary details, including background architecture, crowds, vehicles, fences, signs, trees, and other unnecessary elements.\n\nTransform the primary subject into a sophisticated black-ink editorial illustration.\n\nILLUSTRATION STYLE:\n\nUse natural, clean pen strokes with varied line weight.\n\nPreserve an authentic hand-drawn appearance with expressive but controlled linework.\n\nAvoid overly precise engraving aesthetics, excessive internal details, and dense cross-hatching.\n\nPlace a large, nearly pure-black rectangular ink block behind the illustrated subject.\n\nThe rectangular block should have subtly imperfect, handmade print-style edges.\n\nKeep the black background clean, with only fine paper grain and minimal noise.\n\nAvoid obvious hatching, scratches, architectural lines, or complex textures.\n\nILLUSTRATION SCALE AND COMPOSITION:\n\nThe illustrated subject must occupy approximately 72–77% of the canvas width and 58–64% of the bottom section's height.\n\nMaintain a clear visual focal point with generous negative space surrounding the illustration.\n\n3. COLOR RULES\n\nThe bottom illustration must follow a strictly black-and-white color palette by default.\n\nPreserve only one localized accent color if the original reference image contains a clearly distinctive, concentrated color element with meaningful narrative importance.\n\nOrdinary blue skies, green vegetation, stone surfaces, skin tones, and environmental colors must not be treated as accent colors.\n\nAny preserved accent color must remain strictly localized to the relevant subject or area.\n\nNever allow accent colors to spread across the entire illustration.\n\n4. TYPOGRAPHY AND EDITORIAL LAYOUT\n\nAutomatically generate concise, meaningful English typography based on the content of the uploaded reference photograph.\n\nThe typography must resemble handwritten editorial annotations from an independent art publication.\n\nTOP-LEFT CORNER:\n\nGenerate a short handwritten title consisting of 2–5 words, arranged across two lines.\n\nDirectly beneath the title, include three short English action verbs relevant to the photograph.\n\nTOP-RIGHT CORNER:\n\nDisplay only two lines of geographic coordinates:\n\nLatitude\nLongitude\n\nDo not include any additional text in this area.\n\nBOTTOM-LEFT CORNER:\n\nDisplay the location name followed by the word \"DIARY.\"\n\nDirectly beneath it, add one short descriptive English sentence inspired by the photograph.\n\nTYPOGRAPHY STYLE:\n\nUse a rough, upright, slightly irregular handwritten typeface.\n\nMaintain subtle imperfections and a natural editorial annotation aesthetic.\n\nAvoid elegant cursive, calligraphy, overly decorative lettering, and excessively polished typography.\n\n5. FINAL ART DIRECTION\n\nThe finished poster must combine:\n\nAuthentic, high-quality photography.\nMinimalist black-and-white editorial illustration.\nGenerous negative space.\nIndependent art publication aesthetics.\nQuiet, restrained, sophisticated visual storytelling.\nNatural handwritten typography.\nA balanced relationship between documentary realism and expressive hand-drawn artwork.\n\nThe overall result should resemble a carefully designed, collectible editorial art print.\n\n6. FINAL OUTPUT REQUIREMENTS\n\nASPECT RATIO:\n2:3 vertical.\n\nRESOLUTION:\nHigh-resolution, sharp, print-quality output.\n\nCOMPOSITION:\n\nExactly 50% original reference photography on top.\n\nExactly 50% editorial illustration on the bottom.\n\nOne perfectly straight horizontal dividing line.\n\nOne complete, standalone poster.\n\nRESTRICTIONS:\n\nNo collages.\nNo multi-poster layouts.\nNo combined images.\nNo unnecessary decorative elements.\nNo modifications to the original subject's identity or appearance.\nNo excessive illustration details.\nNo changes to the original photograph's natural color relationships.\n\nFINAL GOAL:\n\nCreate a sophisticated, visually balanced editorial art poster that faithfully preserves the uploaded reference photograph while transforming its primary subject into an expressive, minimalist black-ink illustration.","promptZh":"使用上传的参考图像，创建一个高分辨率的 2:3 纵向社论艺术海报。\n\n将画布分为两个完全平等的水平部分，每部分各占总高度的 50%。用一条干净、完美的水平直线将它们分开。\n\n1. 上半部分 —— 原始参考照片\n\n在海报的上部 50% 直接使用上传的参考照片。\n\n保留其原始的摄影质量、锐度、自然光效和色彩关系。\n\n仅在必要时允许对外边缘进行细微、智能的裁剪，而不损害主体。\n\n如有需要，自然地延伸一小部分周围环境以适应构图。\n\n请勿重绘、插画化、拉伸、模糊或修改主体的外观、结构或空间关系。\n\n请勿引入黑边、白边或空白边缘。\n\n2. 下半部分 —— 极简社论插画\n\n使用带有极其细微纸张纹理的暖白色象牙色纸张背景。\n\n分析上传参考图像的主体和视觉故事。\n\n仅提取主要主体，保留一到两个基本的识别元素。\n\n移除或大幅简化所有次要细节，包括背景建筑、人群、车辆、围栏、标志、树木和其他不必要的元素。\n\n将主要主体转化为精致的黑墨水社论插画。\n\n插画风格：\n\n使用具有不同线条粗细的自然、干净的笔触。\n\n保留真实的、具有表现力但受控的线条手绘外观。\n\n避免过度精准的版画美学、过多的内部细节和密集的交叉排线。\n\n在插画主体后面放置一个巨大的、近乎纯黑色的矩形墨块。\n\n矩形块应具有细微的不完美、手工印刷风格的边缘。\n\n保持黑色背景干净，仅带细微纸张颗粒和极小噪点。\n\n避免明显的排线、划痕、建筑线条或复杂的纹理。\n\n插画比例与构图：\n\n插画主体必须占据画布宽度的约 72–77% 和底部区域高度的 58–64%。\n\n保持清晰的视觉焦点，插画周围留有大量的负空间。\n\n3. 色彩规则\n\n默认情况下，底部插画必须遵循严格的黑白调色板。\n\n如果原始参考图像包含具有明确叙事重要性的显著、集中的色彩元素，则仅保留一种局部强调色。\n\n平凡的蓝天、绿色植被、石材表面、肤色和环境颜色不得被视为强调色。\n\n任何保留的强调色必须严格局部化在相关主体或区域。\n\n绝不允许强调色蔓延到整个插画。\n\n4. 排版与社论布局\n\n根据上传参考照片的内容自动生成简洁、有意义的英文排版。\n\n排版必须类似于独立艺术出版物的手写社论注释。\n\n左上角：\n\n生成一个短的手写标题，包含 2–5 个单词，排列在两行中。\n\n在标题正下方，包含三个与照片相关的简短英文动作动词。\n\n右上角：\n\n仅显示两行地理坐标：\n纬度\n经度\n\n此区域不包含任何额外文本。\n\n左下角：\n\n显示地点名称，后跟单词 “DIARY”。\n\n在其正下方，添加一句受照片启发而创作的简短英文描述性句子。\n\n排版风格：\n\n使用粗糙、笔直、略带不规则的手写字体。\n\n保持细微的不完美和自然的社论注释美学。\n\n避免优雅的草书、书法、过度装饰的字体以及过度精致的排版。\n\n5. 最终艺术指导\n\n完成后的海报必须结合：\n\n真实的、高质量的摄影。\n极简黑白社论插画。\n大量的负空间。\n独立艺术出版物美学。\n安静、克制、精致的视觉叙事。\n自然的手写排版。\n记录性现实主义与表现性手绘作品之间的平衡关系。\n\n整体结果应类似于精心设计的、具有收藏价值的社论艺术印刷品。\n\n6. 最终输出要求\n\n纵横比：\n2:3 纵向。\n\n分辨率：\n高分辨率、清晰、印刷质量的输出。\n\n构图：\n\n顶部正好 50% 为原始参考照片。\n\n底部正好 50% 为社论插画。\n\n一条完美的水平直线分割线。\n\n一张完整、独立的海报。\n\n限制：\n\n禁止拼贴画。\n禁止多海报布局。\n禁止组合图像。\n禁止不必要的装饰元素。\n禁止修改原主体身份或外观。\n禁止过多的插画细节。\n禁止改变原照片的自然色彩关系。\n\n最终目标：\n\n创建一张精致、视觉平衡的社论艺术海报，在忠实保留上传参考照片的同时，将其主要主体转化为具有表现力的极简黑墨插画。","promptVariants":[{"text":"Using the uploaded reference image, create a single high-resolution vertical 2:3 editorial art poster.\n\nDivide the canvas into two perfectly equal horizontal sections, each occupying exactly 50% of the total height. Separate them with a clean, perfectly straight horizontal dividing line.\n\n1. TOP HALF — ORIGINAL REFERENCE PHOTOGRAPH\n\nUse the uploaded reference photograph directly in the upper 50% of the poster.\n\nPreserve its original photographic quality, sharpness, natural lighting, and color relationships.\n\nAllow only subtle, intelligent cropping around the outer edges when necessary, without compromising the main subject.\n\nIf required, naturally extend a small portion of the surrounding environment to fit the composition.\n\nDo not redraw, illustrate, stretch, blur, or modify the subject's appearance, structure, or spatial relationships.\n\nDo not introduce black borders, white margins, or empty edges.\n\n2. BOTTOM HALF — MINIMALIST EDITORIAL ILLUSTRATION\n\nUse a warm, near-white ivory paper background with an extremely subtle paper texture.\n\nAnalyze the main subject and visual story of the uploaded reference image.\n\nExtract only the primary subject, preserving one or two essential identifying elements.\n\nRemove or heavily simplify all secondary details, including background architecture, crowds, vehicles, fences, signs, trees, and other unnecessary elements.\n\nTransform the primary subject into a sophisticated black-ink editorial illustration.\n\nILLUSTRATION STYLE:\n\nUse natural, clean pen strokes with varied line weight.\n\nPreserve an authentic hand-drawn appearance with expressive but controlled linework.\n\nAvoid overly precise engraving aesthetics, excessive internal details, and dense cross-hatching.\n\nPlace a large, nearly pure-black rectangular ink block behind the illustrated subject.\n\nThe rectangular block should have subtly imperfect, handmade print-style edges.\n\nKeep the black background clean, with only fine paper grain and minimal noise.\n\nAvoid obvious hatching, scratches, architectural lines, or complex textures.\n\nILLUSTRATION SCALE AND COMPOSITION:\n\nThe illustrated subject must occupy approximately 72–77% of the canvas width and 58–64% of the bottom section's height.\n\nMaintain a clear visual focal point with generous negative space surrounding the illustration.\n\n3. COLOR RULES\n\nThe bottom illustration must follow a strictly black-and-white color palette by default.\n\nPreserve only one localized accent color if the original reference image contains a clearly distinctive, concentrated color element with meaningful narrative importance.\n\nOrdinary blue skies, green vegetation, stone surfaces, skin tones, and environmental colors must not be treated as accent colors.\n\nAny preserved accent color must remain strictly localized to the relevant subject or area.\n\nNever allow accent colors to spread across the entire illustration.\n\n4. TYPOGRAPHY AND EDITORIAL LAYOUT\n\nAutomatically generate concise, meaningful English typography based on the content of the uploaded reference photograph.\n\nThe typography must resemble handwritten editorial annotations from an independent art publication.\n\nTOP-LEFT CORNER:\n\nGenerate a short handwritten title consisting of 2–5 words, arranged across two lines.\n\nDirectly beneath the title, include three short English action verbs relevant to the photograph.\n\nTOP-RIGHT CORNER:\n\nDisplay only two lines of geographic coordinates:\n\nLatitude\nLongitude\n\nDo not include any additional text in this area.\n\nBOTTOM-LEFT CORNER:\n\nDisplay the location name followed by the word \"DIARY.\"\n\nDirectly beneath it, add one short descriptive English sentence inspired by the photograph.\n\nTYPOGRAPHY STYLE:\n\nUse a rough, upright, slightly irregular handwritten typeface.\n\nMaintain subtle imperfections and a natural editorial annotation aesthetic.\n\nAvoid elegant cursive, calligraphy, overly decorative lettering, and excessively polished typography.\n\n5. FINAL ART DIRECTION\n\nThe finished poster must combine:\n\nAuthentic, high-quality photography.\nMinimalist black-and-white editorial illustration.\nGenerous negative space.\nIndependent art publication aesthetics.\nQuiet, restrained, sophisticated visual storytelling.\nNatural handwritten typography.\nA balanced relationship between documentary realism and expressive hand-drawn artwork.\n\nThe overall result should resemble a carefully designed, collectible editorial art print.\n\n6. FINAL OUTPUT REQUIREMENTS\n\nASPECT RATIO:\n2:3 vertical.\n\nRESOLUTION:\nHigh-resolution, sharp, print-quality output.\n\nCOMPOSITION:\n\nExactly 50% original reference photography on top.\n\nExactly 50% editorial illustration on the bottom.\n\nOne perfectly straight horizontal dividing line.\n\nOne complete, standalone poster.\n\nRESTRICTIONS:\n\nNo collages.\nNo multi-poster layouts.\nNo combined images.\nNo unnecessary decorative elements.\nNo modifications to the original subject's identity or appearance.\nNo excessive illustration details.\nNo changes to the original photograph's natural color relationships.\n\nFINAL GOAL:\n\nCreate a sophisticated, visually balanced editorial art poster that faithfully preserves the uploaded reference photograph while transforming its primary subject into an expressive, minimalist black-ink illustration.","type":"en","label":"英文提示词"},{"text":"使用上传的参考图像，创建一个高分辨率的 2:3 纵向社论艺术海报。\n\n将画布分为两个完全平等的水平部分，每部分各占总高度的 50%。用一条干净、完美的水平直线将它们分开。\n\n1. 上半部分 —— 原始参考照片\n\n在海报的上部 50% 直接使用上传的参考照片。\n\n保留其原始的摄影质量、锐度、自然光效和色彩关系。\n\n仅在必要时允许对外边缘进行细微、智能的裁剪，而不损害主体。\n\n如有需要，自然地延伸一小部分周围环境以适应构图。\n\n请勿重绘、插画化、拉伸、模糊或修改主体的外观、结构或空间关系。\n\n请勿引入黑边、白边或空白边缘。\n\n2. 下半部分 —— 极简社论插画\n\n使用带有极其细微纸张纹理的暖白色象牙色纸张背景。\n\n分析上传参考图像的主体和视觉故事。\n\n仅提取主要主体，保留一到两个基本的识别元素。\n\n移除或大幅简化所有次要细节，包括背景建筑、人群、车辆、围栏、标志、树木和其他不必要的元素。\n\n将主要主体转化为精致的黑墨水社论插画。\n\n插画风格：\n\n使用具有不同线条粗细的自然、干净的笔触。\n\n保留真实的、具有表现力但受控的线条手绘外观。\n\n避免过度精准的版画美学、过多的内部细节和密集的交叉排线。\n\n在插画主体后面放置一个巨大的、近乎纯黑色的矩形墨块。\n\n矩形块应具有细微的不完美、手工印刷风格的边缘。\n\n保持黑色背景干净，仅带细微纸张颗粒和极小噪点。\n\n避免明显的排线、划痕、建筑线条或复杂的纹理。\n\n插画比例与构图：\n\n插画主体必须占据画布宽度的约 72–77% 和底部区域高度的 58–64%。\n\n保持清晰的视觉焦点，插画周围留有大量的负空间。\n\n3. 色彩规则\n\n默认情况下，底部插画必须遵循严格的黑白调色板。\n\n如果原始参考图像包含具有明确叙事重要性的显著、集中的色彩元素，则仅保留一种局部强调色。\n\n平凡的蓝天、绿色植被、石材表面、肤色和环境颜色不得被视为强调色。\n\n任何保留的强调色必须严格局部化在相关主体或区域。\n\n绝不允许强调色蔓延到整个插画。\n\n4. 排版与社论布局\n\n根据上传参考照片的内容自动生成简洁、有意义的英文排版。\n\n排版必须类似于独立艺术出版物的手写社论注释。\n\n左上角：\n\n生成一个短的手写标题，包含 2–5 个单词，排列在两行中。\n\n在标题正下方，包含三个与照片相关的简短英文动作动词。\n\n右上角：\n\n仅显示两行地理坐标：\n纬度\n经度\n\n此区域不包含任何额外文本。\n\n左下角：\n\n显示地点名称，后跟单词 “DIARY”。\n\n在其正下方，添加一句受照片启发而创作的简短英文描述性句子。\n\n排版风格：\n\n使用粗糙、笔直、略带不规则的手写字体。\n\n保持细微的不完美和自然的社论注释美学。\n\n避免优雅的草书、书法、过度装饰的字体以及过度精致的排版。\n\n5. 最终艺术指导\n\n完成后的海报必须结合：\n\n真实的、高质量的摄影。\n极简黑白社论插画。\n大量的负空间。\n独立艺术出版物美学。\n安静、克制、精致的视觉叙事。\n自然的手写排版。\n记录性现实主义与表现性手绘作品之间的平衡关系。\n\n整体结果应类似于精心设计的、具有收藏价值的社论艺术印刷品。\n\n6. 最终输出要求\n\n纵横比：\n2:3 纵向。\n\n分辨率：\n高分辨率、清晰、印刷质量的输出。\n\n构图：\n\n顶部正好 50% 为原始参考照片。\n\n底部正好 50% 为社论插画。\n\n一条完美的水平直线分割线。\n\n一张完整、独立的海报。\n\n限制：\n\n禁止拼贴画。\n禁止多海报布局。\n禁止组合图像。\n禁止不必要的装饰元素。\n禁止修改原主体身份或外观。\n禁止过多的插画细节。\n禁止改变原照片的自然色彩关系。\n\n最终目标：\n\n创建一张精致、视觉平衡的社论艺术海报，在忠实保留上传参考照片的同时，将其主要主体转化为具有表现力的极简黑墨插画。","type":"zh","label":"中文提示词"}],"sourceExamples":[],"promptLanguage":"英文提示词","notesZh":"来自 OpenNana 的公开提示词；保留原始作者与公开原帖引用。","sourcePromptNotes":"","author":"@ChillaiKalan__","authorUrl":"https://x.com/ChillaiKalan__","sourceUrl":"https://x.com/ChillaiKalan__/status/2110581440085987751","sourceUrlRaw":"https://x.com/ChillaiKalan__/status/2110581440085987751","sourceCitationType":"post","authorBasis":"source_label","sourceCollection":"OpenNana Awesome Prompt Gallery","collectionKey":"opennana","collectionShort":"OpenNana","collectionUrl":"https://opennana.com/awesome-prompt-gallery","collectionCaseUrl":"https://opennana.com/awesome-prompt-gallery/editorial-art-poster-photography-and-minimalist-ink-illustration","collectionStars":null,"evidenceType":"public_source","evidenceLabel":"公开原帖引用；来源图库收录","likes":null,"views":null,"sourceGalleryLikes":0,"sourceGalleryViews":0,"publishedAt":"2026-10-15","publishedAtBasis":"OpenNana 条目创建日期，不代表原帖发布日期","sourceUpdatedAt":"2026-10-19T01:16:57.820Z","isRecent":true,"requiresReference":null,"tags":[],"license":"项目维护者确认转载授权；原作者权利保留","licenseUrl":"https://prompt.genedai.me/sources/opennana/","imageUrl":"https://img.opennana.com/prompts/assets/202610/1792064215083-bqpi4e0y-1792064216815-1.jpg","imageUrls":["https://img.opennana.com/prompts/assets/202610/1792064215083-bqpi4e0y-1792064216815-1.jpg"],"videoUrls":[],"mediaType":"image","preview":"https://img.opennana.com/pthumbs/prompts/assets/202610/1792064215083-bqpi4e0y-1792064216815-1-480.jpg","previewWidth":null,"previewHeight":null,"imageAuthor":"@ChillaiKalan__","imageProvenance":"OpenNana 展示的来源示例；本站未重新生成。","contentAvailability":"full","sourceAccess":"free","url":"https://prompt.genedai.me/prompts/opennana-28220/","markdownUrl":"https://prompt.genedai.me/prompts/opennana-28220/index.md"}}