{"snapshotDate":"2026-10-20","releaseId":"465e0259274b1b15","data":{"id":"opennana-25633","sourceId":25633,"order":2701,"titleZh":"伦敦大本钟标志性地标系列艺术海报","titleOriginal":"伦敦大本钟标志性地标系列艺术海报","category":"opennana","model":"ChatGPT","modelShort":"ChatGPT","modelGroup":"gpt","prompt":"Create a vertical 2:3 premium city landmark architectural art poster, themed London, UK, with core landmarks being Big Ben / Elizabeth Tower + Palace of Westminster + River Thames.\n\nContinue the unified ICONIC LANDMARK SERIES visual system:\n\nUpper half real city photography + lower half minimalist 2D vector architectural deconstruction illustration.\n\nThe upper and lower parts must represent the same set of London landmarks and have a clear visual correspondence.\n\n⸻\n\nUpper Half | London Real Photography\n\nThe upper half accounts for about 45% of the entire frame.\n\nLooking towards the Palace of Westminster from near the South Bank of the River Thames.\n\nBig Ben / Elizabeth Tower is located slightly to the right of the visual center of the frame, the full tower body is clearly visible, extending from the bottom to the top spire, no cropping.\n\nStrictly maintain the real architectural proportions of Elizabeth Tower.\n\nClearly represent the iconic:\n\nGolden clock face, Gothic Revival spire, detailed stone facade, vertical window panes, top spire.\n\nThe Palace of Westminster expands horizontally next to Big Ben, forming a typical London skyline.\n\nThe building uses real warm beige stone, with parts hit by the setting sun creating soft golden highlights.\n\nThe foreground is the wide River Thames, occupying about 20–25% of the photography area.\n\nThe river water is low-saturation blue-gray, with natural fine ripples, and the building produces a slight reflection.\n\nA very small London tour boat can appear as a scale reference, but it must not steal the spotlight.\n\nModern London city buildings can appear slightly in the distance but must be weakened.\n\nThe time is set at evening during London's Golden Hour entering Blue Hour.\n\nThe sky forms a natural gradient of:\n\nPale grey-blue → soft misty purple → light peach pink → slightly warm gold.\n\nThe sky has a small amount of Britain-specific stratiform clouds and soft cumulus clouds, with a slight overcast feeling, but not gloomy.\n\nSunlight passes through the clouds from the side and back, creating a delicate golden rim light for the edges of Big Ben.\n\n50–85mm architectural photography, medium-telephoto visual compression, building vertical lines remain straight, no fisheye, no exaggerated wide-angle distortion.\n\nReal London travel photography, premium architectural photography, cinematic golden hour, real stone texture, natural HDR, high dynamic range, 4K.\n\n⸻\n\nLower Half | London Architectural Vector Deconstruction\n\nThe lower half accounts for about 55%.\n\nThe background transitions to warm ivory white, cream white premium art paper.\n\nLarge area of clean negative space.\n\nRedesign the real London buildings in the upper half into minimalist 2D architectural vector illustrations.\n\nBig Ben is still located slightly to the right of the visual center, maintaining a similar visual axis with the real photography above.\n\nMust strictly retain Big Ben's most core identifying elements:\n\nTall rectangular tower body\nFour large clock faces\nGolden clock face decorations\nGothic window panes\nTop spire structure\nSlender tower tip\n\nSimplify complex Gothic architectural structures into:\n\nRectangles + slender vertical lines + triangles + pointed arches + extremely fine geometric lines.\n\nThe clock face is represented using a very restrained light golden circle.\n\nThe main body of Big Ben uses:\n\nLight sandstone color, warm beige, taupe, low-saturation gold, deep grey-blue.\n\nNo thick black outlines.\n\n⸻\n\nThe simplified Palace of Westminster extends horizontally to the left of Big Ben.\n\nHighly geometrize the complex Gothic facade of the Houses of Parliament, retaining only:\n\nContinuous spires, rectangular main body, towers, pointed arch windows, horizontal architectural base.\n\nUse low-saturation:\n\nBeige-grey, sand color, light brown, grey-blue, pale gold.\n\nThe building height must be significantly lower than Big Ben.\n\nAdd a giant translucent geometric circular sun to the rear left of Big Ben.\n\nUse very soft:\n\nBritish misty pink / Dusty Rose / Pale Peach\n\nThe circular part is obscured by Big Ben and the Houses of Parliament.\n\nDo not use real sun textures.\n\n⸻\n\nRiver Thames Abstract Design\n\nUse an extremely fine dark grey-blue horizontal line at the base of the building to establish a baseline.\n\nBelow, add 5–7 extremely fine horizontal lines of different lengths.\n\nLines use:\n\nMisty blue, grey-blue, light navy blue.\n\nAbstractly represent the Thames water surface.\n\nA very small, minimalist red London double-decker bus silhouette can be added as a hidden Easter egg, but the area must not exceed 1% of the frame.\n\nMaintain an overall architectural design archival feel, do not turn it into a travel cartoon illustration.\n\n⸻\n\nTypography | Architectural Archive Layout\n\nLower left uses uppercase English:\n\nLONDON\n\nSecond line:\n\nBIG BEN\n\nUse premium modernist sans-serif font, thin weight, significantly increase letter spacing.\n\nThe main title uses Deep Navy Blue / Charcoal Navy.\n\nAn extremely fine short horizontal line below.\n\nSmall font size:\n\nLONDON, UNITED KINGDOM\n\nTop left corner uses extremely small font size:\n\nICONIC\nLANDMARK\nSERIES\n\n—\n\nNo.001\n\nTop right corner:\n\nEST.\n1859\n\nBottom right corner:\n\n51.5007° N\n\n0.1246° W\n\nBottom-most extremely small font size:\n\nPALACE OF WESTMINSTER\n\nAll fonts follow architectural firm archives, museum exhibition catalog-style layout.\n\n⸻\n\nFinal Style\n\nSwiss International Style + British modernism + Bauhaus + Mid-century travel poster + architectural editorial illustration + museum exhibition graphic design + Japanese minimalism + Scandinavian graphic design\n\nWarm ivory white paper, large areas of white space, precise grid system, ultra-fine lines, low-saturation Morandi color palette, accurate architectural proportions.\n\nUpper real photography, lower 2D vector deconstruction, strict correspondence between upper and lower landmarks.\n\nPremium, restrained, quiet, British, architectural magazine feel, museum collection poster texture.\n\n4K, ultra clean vector edges, premium print design, museum quality, collector’s architectural poster.\n\nNegative prompts: Cartoon Big Ben, chibi London, children's illustration, cyberpunk, neon London, future city, 3D rendering, clay style, oil painting, watercolor, thick black outlines, over-saturation, strong HDR, incorrect Big Ben proportions, bent clock tower, missing clock face, wrong Gothic structure, repetitive clock towers, architectural perspective errors, dense tourists, many cars, cluttered background, London Eye stealing the spotlight, gibberish text, cheap travel postcard style.","promptZh":"创建一张竖版 2:3 高级城市地标建筑艺术海报，主题为英国伦敦，核心地标为 Big Ben / Elizabeth Tower + Palace of Westminster + River Thames。\n\n延续统一的 ICONIC LANDMARK SERIES 视觉系统：\n\n上半部分真实城市摄影 + 下半部分极简二维矢量建筑解构插画。\n\n上下两部分必须表现同一组伦敦地标，并具有明显的视觉对应关系。\n\n⸻\n\n上半部分｜伦敦真实摄影\n\n上半部分约占整个画面45%。\n\n从泰晤士河南岸附近视角眺望英国议会大厦。\n\nBig Ben / Elizabeth Tower 位于画面视觉中心偏右位置，完整塔身清晰可见，从底部一直延伸至顶部尖塔，不裁切。\n\n严格保持伊丽莎白塔真实建筑比例。\n\n清晰表现标志性的：\n\n金色钟面、哥特复兴式尖塔、精细石材立面、垂直窗格、顶部尖顶。\n\nBig Ben旁边横向展开 Palace of Westminster 英国议会大厦，形成典型伦敦天际线。\n\n建筑采用真实暖米黄色石材，局部受到夕阳照射产生柔和金色高光。\n\n前景为宽阔的 River Thames 泰晤士河，占摄影区域约20–25%。\n\n河水呈低饱和蓝灰色，具有自然细密波纹，建筑产生轻微倒影。\n\n可出现一艘非常小的伦敦游船作为比例参照，但不能抢夺主体。\n\n远处可以轻微出现伦敦现代城市建筑，但必须弱化。\n\n时间设定为伦敦Golden Hour进入Blue Hour前的傍晚。\n\n天空形成：\n\n淡灰蓝 → 柔和雾紫 → 浅桃粉 → 微暖金色\n\n的自然渐变。\n\n天空存在少量英国特有的层状云和柔软积云，具有轻微阴天感，但不能阴沉。\n\n阳光从侧后方穿过云层，为Big Ben边缘产生细腻金色轮廓光。\n\n50–85mm建筑摄影，中长焦视觉压缩，建筑垂直线保持笔直，无鱼眼，无夸张广角畸变。\n\n真实伦敦旅行摄影，premium architectural photography，cinematic golden hour，真实石材纹理，自然HDR，高动态范围，4K。\n\n⸻\n\n下半部分｜伦敦建筑矢量解构\n\n下半部分约占55%。\n\n背景转换成温暖象牙白、奶油白高级艺术纸张。\n\n大面积干净负空间。\n\n将上半部分真实伦敦建筑重新设计成极简二维建筑矢量插画。\n\nBig Ben仍然位于视觉中心偏右，与上方真实摄影保持相似视觉轴线。\n\n必须严格保留Big Ben最核心的识别元素：\n\n高耸矩形塔身\n四面大型钟盘\n金色钟盘装饰\n哥特式窗格\n顶部尖塔结构\n细长塔尖\n\n将复杂哥特建筑结构简化为：\n\n矩形 + 细长竖线 + 三角形 + 尖拱 + 极细几何线条。\n\n钟盘使用一个非常克制的浅金色圆形表现。\n\nBig Ben主体使用：\n\n浅砂岩色、暖米色、灰褐色、低饱和金色、深灰蓝。\n\n不使用粗黑描边。\n\n⸻\n\nBig Ben左侧横向延伸简化后的 Palace of Westminster。\n\n将议会大厦复杂哥特式立面高度几何化，只保留：\n\n连续尖顶、矩形主体、塔楼、尖拱窗、水平建筑基座。\n\n使用低饱和：\n\n米灰、沙色、浅棕、灰蓝、淡金色。\n\n建筑高度必须明显低于Big Ben。\n\nBig Ben后方偏左加入一个巨大半透明几何圆形太阳。\n\n使用非常柔和的：\n\n英国雾粉色 / Dusty Rose / Pale Peach\n\n圆形部分被Big Ben与议会大厦遮挡。\n\n不使用真实太阳纹理。\n\n⸻\n\n泰晤士河抽象设计\n\n建筑底部使用一条极细深灰蓝水平线建立基准。\n\n下方加入5–7条不同长度的极细水平线。\n\n线条使用：\n\n雾蓝、灰蓝、浅海军蓝。\n\n抽象表现泰晤士河水面。\n\n可以加入一个极小、极简的红色伦敦双层巴士剪影作为隐藏彩蛋，但面积不得超过画面的1%。\n\n整体保持建筑设计档案感，不要变成旅游卡通插画。\n\n⸻\n\nTypography｜建筑档案排版\n\n左下方使用大写英文：\n\nLONDON\n\n第二行：\n\nBIG BEN\n\n使用高级现代主义无衬线字体，细字重，明显增加字母间距。\n\n主标题使用深海军蓝 / Charcoal Navy。\n\n下方极细短横线。\n\n小字号：\n\nLONDON, UNITED KINGDOM\n\n左上角使用极小字号：\n\nICONIC\nLANDMARK\nSERIES\n\n—\n\nNo.001\n\n右上角：\n\nEST.\n1859\n\n右下角：\n\n51.5007° N\n\n0.1246° W\n\n最下方极小字号：\n\nPALACE OF WESTMINSTER\n\n所有字体遵循建筑事务所档案、博物馆展览图录式排版。\n\n⸻\n\n最终风格\n\nSwiss International Style + British modernism + Bauhaus + Mid-century travel poster + architectural editorial illustration + museum exhibition graphic design + Japanese minimalism + Scandinavian graphic design\n\n温暖象牙白纸张，大面积留白，精准网格系统，超细线条，低饱和莫兰迪配色，建筑比例准确。\n\n上半真实摄影，下半二维矢量解构，上下地标严格对应。\n\n高级、克制、安静、英伦、建筑杂志感、博物馆收藏海报质感。\n\n4K，ultra clean vector edges，premium print design，museum quality，collector’s architectural poster。\n\n负面提示词：卡通Big Ben，Q版伦敦，儿童插画，赛博朋克，霓虹伦敦，未来城市，3D渲染，黏土风，油画，水彩，粗黑描边，过度饱和，强HDR，Big Ben比例错误，钟楼弯曲，钟面缺失，错误哥特结构，重复钟楼，建筑透视错误，密集游客，大量汽车，杂乱背景，伦敦眼抢占主体，文字乱码，廉价旅游明信片风格。","promptVariants":[{"text":"Create a vertical 2:3 premium city landmark architectural art poster, themed London, UK, with core landmarks being Big Ben / Elizabeth Tower + Palace of Westminster + River Thames.\n\nContinue the unified ICONIC LANDMARK SERIES visual system:\n\nUpper half real city photography + lower half minimalist 2D vector architectural deconstruction illustration.\n\nThe upper and lower parts must represent the same set of London landmarks and have a clear visual correspondence.\n\n⸻\n\nUpper Half | London Real Photography\n\nThe upper half accounts for about 45% of the entire frame.\n\nLooking towards the Palace of Westminster from near the South Bank of the River Thames.\n\nBig Ben / Elizabeth Tower is located slightly to the right of the visual center of the frame, the full tower body is clearly visible, extending from the bottom to the top spire, no cropping.\n\nStrictly maintain the real architectural proportions of Elizabeth Tower.\n\nClearly represent the iconic:\n\nGolden clock face, Gothic Revival spire, detailed stone facade, vertical window panes, top spire.\n\nThe Palace of Westminster expands horizontally next to Big Ben, forming a typical London skyline.\n\nThe building uses real warm beige stone, with parts hit by the setting sun creating soft golden highlights.\n\nThe foreground is the wide River Thames, occupying about 20–25% of the photography area.\n\nThe river water is low-saturation blue-gray, with natural fine ripples, and the building produces a slight reflection.\n\nA very small London tour boat can appear as a scale reference, but it must not steal the spotlight.\n\nModern London city buildings can appear slightly in the distance but must be weakened.\n\nThe time is set at evening during London's Golden Hour entering Blue Hour.\n\nThe sky forms a natural gradient of:\n\nPale grey-blue → soft misty purple → light peach pink → slightly warm gold.\n\nThe sky has a small amount of Britain-specific stratiform clouds and soft cumulus clouds, with a slight overcast feeling, but not gloomy.\n\nSunlight passes through the clouds from the side and back, creating a delicate golden rim light for the edges of Big Ben.\n\n50–85mm architectural photography, medium-telephoto visual compression, building vertical lines remain straight, no fisheye, no exaggerated wide-angle distortion.\n\nReal London travel photography, premium architectural photography, cinematic golden hour, real stone texture, natural HDR, high dynamic range, 4K.\n\n⸻\n\nLower Half | London Architectural Vector Deconstruction\n\nThe lower half accounts for about 55%.\n\nThe background transitions to warm ivory white, cream white premium art paper.\n\nLarge area of clean negative space.\n\nRedesign the real London buildings in the upper half into minimalist 2D architectural vector illustrations.\n\nBig Ben is still located slightly to the right of the visual center, maintaining a similar visual axis with the real photography above.\n\nMust strictly retain Big Ben's most core identifying elements:\n\nTall rectangular tower body\nFour large clock faces\nGolden clock face decorations\nGothic window panes\nTop spire structure\nSlender tower tip\n\nSimplify complex Gothic architectural structures into:\n\nRectangles + slender vertical lines + triangles + pointed arches + extremely fine geometric lines.\n\nThe clock face is represented using a very restrained light golden circle.\n\nThe main body of Big Ben uses:\n\nLight sandstone color, warm beige, taupe, low-saturation gold, deep grey-blue.\n\nNo thick black outlines.\n\n⸻\n\nThe simplified Palace of Westminster extends horizontally to the left of Big Ben.\n\nHighly geometrize the complex Gothic facade of the Houses of Parliament, retaining only:\n\nContinuous spires, rectangular main body, towers, pointed arch windows, horizontal architectural base.\n\nUse low-saturation:\n\nBeige-grey, sand color, light brown, grey-blue, pale gold.\n\nThe building height must be significantly lower than Big Ben.\n\nAdd a giant translucent geometric circular sun to the rear left of Big Ben.\n\nUse very soft:\n\nBritish misty pink / Dusty Rose / Pale Peach\n\nThe circular part is obscured by Big Ben and the Houses of Parliament.\n\nDo not use real sun textures.\n\n⸻\n\nRiver Thames Abstract Design\n\nUse an extremely fine dark grey-blue horizontal line at the base of the building to establish a baseline.\n\nBelow, add 5–7 extremely fine horizontal lines of different lengths.\n\nLines use:\n\nMisty blue, grey-blue, light navy blue.\n\nAbstractly represent the Thames water surface.\n\nA very small, minimalist red London double-decker bus silhouette can be added as a hidden Easter egg, but the area must not exceed 1% of the frame.\n\nMaintain an overall architectural design archival feel, do not turn it into a travel cartoon illustration.\n\n⸻\n\nTypography | Architectural Archive Layout\n\nLower left uses uppercase English:\n\nLONDON\n\nSecond line:\n\nBIG BEN\n\nUse premium modernist sans-serif font, thin weight, significantly increase letter spacing.\n\nThe main title uses Deep Navy Blue / Charcoal Navy.\n\nAn extremely fine short horizontal line below.\n\nSmall font size:\n\nLONDON, UNITED KINGDOM\n\nTop left corner uses extremely small font size:\n\nICONIC\nLANDMARK\nSERIES\n\n—\n\nNo.001\n\nTop right corner:\n\nEST.\n1859\n\nBottom right corner:\n\n51.5007° N\n\n0.1246° W\n\nBottom-most extremely small font size:\n\nPALACE OF WESTMINSTER\n\nAll fonts follow architectural firm archives, museum exhibition catalog-style layout.\n\n⸻\n\nFinal Style\n\nSwiss International Style + British modernism + Bauhaus + Mid-century travel poster + architectural editorial illustration + museum exhibition graphic design + Japanese minimalism + Scandinavian graphic design\n\nWarm ivory white paper, large areas of white space, precise grid system, ultra-fine lines, low-saturation Morandi color palette, accurate architectural proportions.\n\nUpper real photography, lower 2D vector deconstruction, strict correspondence between upper and lower landmarks.\n\nPremium, restrained, quiet, British, architectural magazine feel, museum collection poster texture.\n\n4K, ultra clean vector edges, premium print design, museum quality, collector’s architectural poster.\n\nNegative prompts: Cartoon Big Ben, chibi London, children's illustration, cyberpunk, neon London, future city, 3D rendering, clay style, oil painting, watercolor, thick black outlines, over-saturation, strong HDR, incorrect Big Ben proportions, bent clock tower, missing clock face, wrong Gothic structure, repetitive clock towers, architectural perspective errors, dense tourists, many cars, cluttered background, London Eye stealing the spotlight, gibberish text, cheap travel postcard style.","type":"en","label":"英文提示词"},{"text":"创建一张竖版 2:3 高级城市地标建筑艺术海报，主题为英国伦敦，核心地标为 Big Ben / Elizabeth Tower + Palace of Westminster + River Thames。\n\n延续统一的 ICONIC LANDMARK SERIES 视觉系统：\n\n上半部分真实城市摄影 + 下半部分极简二维矢量建筑解构插画。\n\n上下两部分必须表现同一组伦敦地标，并具有明显的视觉对应关系。\n\n⸻\n\n上半部分｜伦敦真实摄影\n\n上半部分约占整个画面45%。\n\n从泰晤士河南岸附近视角眺望英国议会大厦。\n\nBig Ben / Elizabeth Tower 位于画面视觉中心偏右位置，完整塔身清晰可见，从底部一直延伸至顶部尖塔，不裁切。\n\n严格保持伊丽莎白塔真实建筑比例。\n\n清晰表现标志性的：\n\n金色钟面、哥特复兴式尖塔、精细石材立面、垂直窗格、顶部尖顶。\n\nBig Ben旁边横向展开 Palace of Westminster 英国议会大厦，形成典型伦敦天际线。\n\n建筑采用真实暖米黄色石材，局部受到夕阳照射产生柔和金色高光。\n\n前景为宽阔的 River Thames 泰晤士河，占摄影区域约20–25%。\n\n河水呈低饱和蓝灰色，具有自然细密波纹，建筑产生轻微倒影。\n\n可出现一艘非常小的伦敦游船作为比例参照，但不能抢夺主体。\n\n远处可以轻微出现伦敦现代城市建筑，但必须弱化。\n\n时间设定为伦敦Golden Hour进入Blue Hour前的傍晚。\n\n天空形成：\n\n淡灰蓝 → 柔和雾紫 → 浅桃粉 → 微暖金色\n\n的自然渐变。\n\n天空存在少量英国特有的层状云和柔软积云，具有轻微阴天感，但不能阴沉。\n\n阳光从侧后方穿过云层，为Big Ben边缘产生细腻金色轮廓光。\n\n50–85mm建筑摄影，中长焦视觉压缩，建筑垂直线保持笔直，无鱼眼，无夸张广角畸变。\n\n真实伦敦旅行摄影，premium architectural photography，cinematic golden hour，真实石材纹理，自然HDR，高动态范围，4K。\n\n⸻\n\n下半部分｜伦敦建筑矢量解构\n\n下半部分约占55%。\n\n背景转换成温暖象牙白、奶油白高级艺术纸张。\n\n大面积干净负空间。\n\n将上半部分真实伦敦建筑重新设计成极简二维建筑矢量插画。\n\nBig Ben仍然位于视觉中心偏右，与上方真实摄影保持相似视觉轴线。\n\n必须严格保留Big Ben最核心的识别元素：\n\n高耸矩形塔身\n四面大型钟盘\n金色钟盘装饰\n哥特式窗格\n顶部尖塔结构\n细长塔尖\n\n将复杂哥特建筑结构简化为：\n\n矩形 + 细长竖线 + 三角形 + 尖拱 + 极细几何线条。\n\n钟盘使用一个非常克制的浅金色圆形表现。\n\nBig Ben主体使用：\n\n浅砂岩色、暖米色、灰褐色、低饱和金色、深灰蓝。\n\n不使用粗黑描边。\n\n⸻\n\nBig Ben左侧横向延伸简化后的 Palace of Westminster。\n\n将议会大厦复杂哥特式立面高度几何化，只保留：\n\n连续尖顶、矩形主体、塔楼、尖拱窗、水平建筑基座。\n\n使用低饱和：\n\n米灰、沙色、浅棕、灰蓝、淡金色。\n\n建筑高度必须明显低于Big Ben。\n\nBig Ben后方偏左加入一个巨大半透明几何圆形太阳。\n\n使用非常柔和的：\n\n英国雾粉色 / Dusty Rose / Pale Peach\n\n圆形部分被Big Ben与议会大厦遮挡。\n\n不使用真实太阳纹理。\n\n⸻\n\n泰晤士河抽象设计\n\n建筑底部使用一条极细深灰蓝水平线建立基准。\n\n下方加入5–7条不同长度的极细水平线。\n\n线条使用：\n\n雾蓝、灰蓝、浅海军蓝。\n\n抽象表现泰晤士河水面。\n\n可以加入一个极小、极简的红色伦敦双层巴士剪影作为隐藏彩蛋，但面积不得超过画面的1%。\n\n整体保持建筑设计档案感，不要变成旅游卡通插画。\n\n⸻\n\nTypography｜建筑档案排版\n\n左下方使用大写英文：\n\nLONDON\n\n第二行：\n\nBIG BEN\n\n使用高级现代主义无衬线字体，细字重，明显增加字母间距。\n\n主标题使用深海军蓝 / Charcoal Navy。\n\n下方极细短横线。\n\n小字号：\n\nLONDON, UNITED KINGDOM\n\n左上角使用极小字号：\n\nICONIC\nLANDMARK\nSERIES\n\n—\n\nNo.001\n\n右上角：\n\nEST.\n1859\n\n右下角：\n\n51.5007° N\n\n0.1246° W\n\n最下方极小字号：\n\nPALACE OF WESTMINSTER\n\n所有字体遵循建筑事务所档案、博物馆展览图录式排版。\n\n⸻\n\n最终风格\n\nSwiss International Style + British modernism + Bauhaus + Mid-century travel poster + architectural editorial illustration + museum exhibition graphic design + Japanese minimalism + Scandinavian graphic design\n\n温暖象牙白纸张，大面积留白，精准网格系统，超细线条，低饱和莫兰迪配色，建筑比例准确。\n\n上半真实摄影，下半二维矢量解构，上下地标严格对应。\n\n高级、克制、安静、英伦、建筑杂志感、博物馆收藏海报质感。\n\n4K，ultra clean vector edges，premium print design，museum quality，collector’s architectural poster。\n\n负面提示词：卡通Big Ben，Q版伦敦，儿童插画，赛博朋克，霓虹伦敦，未来城市，3D渲染，黏土风，油画，水彩，粗黑描边，过度饱和，强HDR，Big Ben比例错误，钟楼弯曲，钟面缺失，错误哥特结构，重复钟楼，建筑透视错误，密集游客，大量汽车，杂乱背景，伦敦眼抢占主体，文字乱码，廉价旅游明信片风格。","type":"zh","label":"中文提示词"}],"sourceExamples":[],"promptLanguage":"英文提示词","notesZh":"来自 OpenNana 的公开提示词；保留原始作者与公开原帖引用。","sourcePromptNotes":"","author":"@jackzhang123vip","authorUrl":"https://x.com/jackzhang123vip","sourceUrl":"https://x.com/jackzhang123vip/status/2095342419713880545","sourceUrlRaw":"https://x.com/jackzhang123vip/status/2095342419713880545","sourceCitationType":"post","authorBasis":"source_label","sourceCollection":"OpenNana Awesome Prompt 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